Document Type
Article
Publication Date
2004
Abstract
This Commentary on Lydia Pallas Loren, Untangling the Web of Music Copyrights, 53 Case W. Res. L. Rev. 673 (2003), observes that debates over a variety of copyright law issues can be - and in fact, often are - structured in narrative terms, rather than in terms of doctrine, policy, or empirical inquiry. I suggest a series of such narratives, each framed by a theme drawn from a feature film. The Commentary suggests that we should recognize more clearly the role of narrative in intellectual property discourse, and that intellectual property narratives should be examined critically.
Recommended Citation
Michael J. Madison,
Where Does Creativity Come from? And Other Stories of Copyright,
(2004).
Available at:
https://scholarship.law.pitt.edu/fac_articles/396
Included in
Contracts Commons, Intellectual Property Law Commons, Internet Law Commons, Law and Economics Commons, Law and Society Commons, Other Film and Media Studies Commons, Other Music Commons, Political Economy Commons, Property Law and Real Estate Commons, Rule of Law Commons, Science and Technology Studies Commons, Theory, Knowledge and Science Commons